![]() It’s this aesthetic tension that imbued Lloyd Webber’s scores with a sense of freshness and ingenuity, exciting audiences in much the same way Hamilton has more recently. The musicals that established Lloyd Webber’s name tend to have one aesthetic foot in the past – his penchant for through-sung, no dialogue, operatic structures – with his other aesthetic foot planted firmly in the present – the pop and progressive rock music prevalent during the 1970s. Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals including The Phantom of the Opera, Cats, Joseph and the Amazing Technicolor Dreamcoat, Evita, School of Rock, Sunset Boulevard and more. Here is our list of Lloyd-Webber’s top ten musicals so far. In total, Lloyd-Webber has composed 13 musicals, several of which have run for over a decade both in London and on Broadway. The score also establishes Lloyd Webber’s ability to employ pastiche for comedic and dramatic effect. Andrew Lloyd Webber is one of the most talented and well-known composers of musicals in British history. Telling the biblical story of Joseph and his journey from outcast brother to advisor to the Pharaoh of Egypt entirely through song, the piece lays the foundations for subsequent Lloyd Webber musicals featuring an underdog who rises to success. ![]() The aesthetic tension between past and present is explicit in the way the pair described it as a pop cantata – a contemporary take on a Baroque sacred choral work. The first produced musical by Lloyd Webber, in collaboration with lyricist Tim Rice, was originally conceived as a 20-minute piece for school children. ![]() In his book on British identity in Edwardian musical comedy, scholar Ben Macpherson identifies the tension between the traditional past and modern present reflected in the musicals of the time as being a central aspect of British identity. Lloyd Webber is a product of his time and place, and his early musicals reflect this. Whistle Down the Wind is a musical with music composed by Andrew Lloyd Webber, who also co-wrote its book with Patricia Knop and Gale Edwards, and its lyrics were written by Jim Steinman.It is based on the 1961 film Whistle Down the Wind, whose source novel of the same name was written by Mary Hayley Bell in 1958.
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